Tuesday Falling is one of those books that reminds you of lots of other stuff, but manages to be totally its own thing.
The blurb is going underground:
You’ve never met anyone like Tuesday. She has suffered extreme cruelty at the hands of men, and so has taken it upon herself to seek vengeance. She wants to protect and help others like her, to ease their suffering. A force to be reckoned with, she lives beneath the streets of London in the hidden network of forgotten tunnels that honeycomb the city – and this is her preferred hunting ground.
When Tuesday is connected to a series of brutal attacks on gang members, DI Loss takes on the investigation. A burned-out detective still suffering the devastating effects of the unsolved murder of his daughter three years earlier, the case starts to hit close to home. Because soon Loss will discover that Tuesday could hold the key to uncovering the truth about what happened to his daughter…
There’s a powerful cartoon energy to Tuesday Falling. If you like your thrillers grounded in reality, then it’s not going to be for you. It has a quirky cinematic panache to it, and it plays out as on a widescreen with carnage, explosions and techno-gear, and lost tunnels beneath the city and civil disobedience — the beginning of the book when Tuesday takes out some oiks on a tube train is a doozy — and at the heart of it is the kind of role any young actress would die for.
Tuesday herself is a devious amalgam of Lisbeth Salander, Alan Moore’s mysterious anarchistic revolutionary V and the Powerpuff Girls, with a little bit of Tank Girl thrown in. She’s a remorseless ExpendaBelle, and Williams has a lot of fun teasing her next ruthless move against the assorted scumbags and Big Bads who ruined her life.
As a character, Tuesday doesn’t develop as you’d like – she’s one of those remote clever clogs who knows everything there is about all sorts of high tech death-dealing weaponry and computer whatnots. Despite her horrific backstory, a bit more vulnerability would perhaps give us more of an emotional investment in Tuesday. But, instead, Wiiliams cleverly gives a character arc to the jaded DI Loss, an all too human cop, who finds he may have a startling connection to the vigilante.
There’s plenty of brutal violence — with a whole swathe of arrogant, testosterone driven yoofs getting their come-uppance in a myriad of unpleasant and gory ways, and the carnage stays, just about, on the right side of glib — and a ton of gleeful swearing, which is interesting because there’s a strong dystopian YA vibe to Tuesday’s feminist odyssey.
There’s a lot to like in Tuesday Falling. Williams has invented an iconic heroine for our times, and he has a very particular sense of his city, London — part Hitchockian chic, part kidulthood gang playground — and it’ll be fun to see what he does next with his singular and deadly protag.
Many thanks to Killer Reads for the review copy. I’m delighted to say that S Williams will be giving us the intel on his remarkable heroine Tuesday, next week.