Tag Archives: Jeffrey Deaver

The Intel: CJ Lyons

CJLyonsbookphotoLOResCJ Lyons is the bestselling author of seven Lucy Guardino thrillers, and the latest, Last Light, sees her heroine leaving the FBI to join the Beacon Group, a firm that specializes in cold cases and brings justice to forgotten victims.

Lucy is partnered with TK O’Connor, an army veteran struggling with her transition to ordinary life and they’re soon led to rural Texas to investigate their first case: the murder of Lily Martin and her young child in 1987. The convicted killers have been behind bars for the past twenty-nine years. But who really killed Lily Martin and her infant daughter? And what price will Lucy pay to expose a truth people will kill to keep buried?

CJ is a paediatric ER doctor turned New York Times bestselling author of twenty-nine novels — her ‘Thrillers With A Heart’ have notched up with sales of over 2 million. She’s assisted police and prosecutors with cases and has worked in numerous trauma centres, on a Navajo reservation, as a crisis counsellor, victim advocate, as well as a flight physician for Life Flight and Stat Medevac.

She’s had a fascinating career, as a medic and a novelist, and in this insightful intel interview CJ discusses her indomitable heroine, our fascination with cold cases, how she picked herself up when her dream debut ended in disaster, and the piece of writing advice that Jeffery Deaver gave her…

Tell us about Lucy Guardino…

I created Lucy because I was tired of reading thrillers featuring female FBI agents who were driven by angst, fleeing demons, fighting addiction, stalked by serial killers, or with dark, forbidden secrets, etc.–all things that would never allow them to do their job effectively in the real world.

As a woman who has always worked in a male dominated field (Emergency Medicine), I wanted to create a main character I could relate to. Someone facing the same kind of struggles balancing work and family and who felt “real.”

So, I thought, why not go as real as it gets? How about a Pittsburgh soccer mom, who has a loving and supportive family? No angst, no dark past, no addictions or demons… Just the very real need to do her job the best she can while also giving her family as much love and attention as possible.

Of course, I can’t go too easy on her, so during her early adventures with the FBI, I give her the worst possible job, tracking pedophiles and sex offenders. The fact that she happens to be good at it only makes her life more complicated because she fights a constant battle of protecting her family from her work.

How has Lucy changed over the course of your novels about her…

One of the comments I hear frequently from readers is that they love Lucy because she is so very human in the way she’s grown over the course of the series. Snake Skin, her first adventure, focused on the almost universal tension that adults face, juggling family and work. And when your work is saving lives and chasing down the worst of the worst, how can you say no?

Each novel is different, from dark psychological suspense in Blood Stained, to action-adventure in Kill Zone, to a set-in-real-time fight for her life in After Shock, and the consequences of that fight in Hard Fall. With each challenge she faces, each mistake as well as each triumph, Lucy has paid a price, and come away with a better understanding of herself.

I think the novel that best reveals this is Hard Fall, which won the International Thriller Writers’ 2015 Thriller Award. It was by far the most difficult book I’ve ever tackled, featuring a survivor of childhood sexual abuse without ever showing any of the violence she suffered on the page—instead, I focused on the psychological ramifications that impacted her life. Parallel to her story is Lucy’s own struggle with the trauma she’s suffered and the choices she faces about her own future, not just her career but her physical and mental well-being along with her family’s needs.

Last Light sees Lucy starting a new life with an organization which investigates Cold Cases – why are we as readers so obsessed with unsolved historical murders?

I think readers enjoy reading about cold cases because as humans we hate it when chaos wins out over justice. And, at least here in the US, unsolved murders remind us that there are places where killers can get away with murder — not because law enforcement is incompetent in any way, but simply because they are overworked and underfunded with huge swathes of land to cover with minimal manpower. We sleep better at night believing justice is served.

Last_Light-crop-smallYou’ve described your novels as Thrillers With Heart – what do you mean by that?

I never enjoyed the thriller novels that treated characters like they were just along for the ride or that featured gratuitous sex and violence without any emotional honesty to give them real impact. Like many authors, I’m more interested in the grey spaces between the black and white of good and evil than I am the car chases and explosions, so I created the term “Thrillers with Heart” to describe my particular brand of crime fiction. They combine the fast-paced adrenaline rush expected from a thriller with an exploration of the emotions that come from exposure to violence.

Your first publishing deal ended in disaster – tell us what happened…

My first medical thriller, Nerves Of Steel, was bought by a major US publisher in a pre-empt and seemed to be destined to be my dream debut: hardcover, endorsements from a dozen NYT Bestsellers, great pre-sales…until, due to factors totally beyond my control (cover art issues), it was cancelled a few weeks prior to its scheduled release.

Pfft, no more dream debut, no more contracts…In fact, I would have to fight to get my rights back after my original agent left me high and dry.

Plus, when my debut was cancelled, I’d already left my medical practice and so was unemployed for the first time since I was 15. But after a few days feeling sorry for myself, I realized that the best thing I could do if I wanted to make my dream of becoming a published author come true was to keep writing.

While I worked on a new book, I fought to get my rights back from that first publisher. (In fact, I went on to self-publish Nerves Of Steel, which became a bestseller, and due to reader demand has led to three sequels, Sleight Of Hand, Face To Face, and Eye Of The Storm.) It was rough going, but I kept writing.

Two weeks after I won that battle and received my rights back, a publisher with Penguin/Putnam called and asked if I’d like to create a new medical suspense series targeting women readers, along the lines of Grey’s Anatomy meets ER. Of course I said yes and sat down to write Lifelines, my first bestseller.

Oh, and just to show that karma has a sense of humor, the book I wrote after being ditched by my first publisher? Blind Faith, which debuted at #2 on the New York Times Bestseller list…

What’s the hardest lesson you ever had to learn about writing?

The hardest lesson for me came after that first disaster of losing my dream debut to forces beyond my control. I learned that no one — not my publisher, editor, or agent — was more invested than the success of my novels than I was. So I had to learn how to become my own champion, which meant learning the business.

As a pediatrician, I’ve never run a business, so I threw myself into learning everything I could about marketing, branding, copy writing, audience demographics, profit/loss statements, contracts, etc. Soon I knew more about my audience than my publishers!

I realized that if you want to become a career novelist, you need to take control of the business side of things because you are actually CEO of a Global Media Empire. Your publishers (I’ve worked with most of the major US publishers as well as almost two dozen more around the globe) are your partners, not your patrons. You need to be clear about what you bring to that partnership and what they have to offer and be ready to walk away from any contract that isn’t serving your readers.

When it comes to business, my mantra is: “good” isn’t good enough for my readers, they deserve “great!”

Who are the authors you admire, and why?

Ray Bradbury had the greatest influence on me as a child. He was the first author who taught me that the words themselves can be as beautiful as the pictures they create and worlds they build. I love the way he can evoke emotion on a very subliminal level. I also adore Mark Helprin, Alice Hoffman, and Tana French among others.

Give me some advice about writing…

The best piece of advice for either my writing or my business came from Jeffery Deaver. We were sitting together at an awards banquet (we both won, which was fun) and I asked him what his best words of wisdom were. He told me: Never forget, the reader is god.

In other words, think about the reader with every decision.

Unsure about a plot twist? Will your readers love it?

Should you spend your time tweeting or writing the next book? Write the next book, of course—that’s what your readers want.

What will make your readers excited, delighted, and ready to tell their friends about your books?

Once you keep that vision in mind, your path becomes so much easier, profitable, and much more fun!

What’s next for you?

I’m currently putting the final polish on Lucy’s next adventure, Devil Smoke. It deals with obsession, grief, and denial, featuring a woman who has lost her life to amnesia and Lucy’s team’s efforts to help her. Of course, the twists and turns lead back to a cold case that hits much too close to home. It’s due out July 25, 2016.

***

Last Light by CJ Lyons is published by Canelo, priced £3.99 in eBook.

 

The Intel: Barbara Nadel Reloaded

Crime Thriller Fella is taking a much-needed summer break. But don’t get down – we’re going to meet up again right here very soon. However, do keep coming back. Over the last year there’s been all sorts of stuff we’ve enjoyed plonking on the internet, and which you may have missed. This Intel interview with the excellent Barbara Nadel, for example…

We love writers here — I may have mentioned that before. With Barbara Nadel’s second Hakim and Arnold mystery, An Act Of Kindness, due to be published in paperback, Barbara kindly tells us about her new series of East End thrillers, her writing and why variety really is the spice of life.

Barbara Nadel

Photo credit: Teri Varhol

As well as the Hakim And Arnold books — the first is A Private Business – Barbara has also written fifteen Inspector Ikmen novels, set in Turkey, and four books about undertaker Francis Hancock, set during the Blitz.

There’s a real sense of place in An Act Of Kindness. How would you describe the contemporary East End?

The contemporary East End I write about is a place that is changing fast. In a way this is in the tradition of the area which has always embraced new industries, innovation and immigration. However since the middle of the last decade and the coming of the Olympics, change has been very rapid and in some cases divisive. New cracks have appeared in the human make up of places like Newham which now run less along ethnic rather then income and social class lines.

You live in Lancashire now. How do you keep up with the extraordinary changes in the Upton Park area over the last few years?

I spend a lot of time in the East End and of course I have many contacts there. But it’s hard work and I’m moving much closer, to Essex, in June this year.

There’s a very real sense that the characters in the Hakim and Arnold books are struggling to keep their heads above water. How important is it to you that you address the grinding poverty in that part of London?

Addressing issues of poverty in my old home is very important to me. Newham has always been poor. When I was a child in the 1960s and 70s it was appallingly shabby and some people, including my own grandparents, lived in the kind of poverty that is more usually associated with Charles Dickens London.My own family had no proper heating, most people had outside toilets and we were all, often sick. But that was a long time and many advances in medicine and social care ago. Or is it?

One of the reasons I write the Hakim and Arnold books is to flag up the fact that for a lot of people in Newham very little has changed. In some cases things have got worse. And that offends me to the soul. If my stories can raise awareness of these issues as well as being good crime novels then I can feel I’ve done my job.

You’ve now three different series under your belt – the Inspector Ikmen, Francis Hancock, and Hakim and Arnold books. Do you thrive on the variety?

Yes I do thrive on variety. I’m a restless somewhat hyperactive person and I like to spread myself around. Crime is my first love but I have a fair few horror, magical and saga novels in my head (and some in an old drawer!) too. I’d also, at some time, like to take the Blue Badge London guide course as well. I’m told my unofficial tours of the East End are really great.

An Act Of KindnessTake us through a typical writing day for you?

I generally get up early (about 6.30am) and then, if I can I go to the gym for an hour. I arrive home pretty wrecked if I’m honest but I have a shower and start writing at about 8. Then it’s straight through until 1 with about half an hour for lunch. I’ll usually work until 5 or 6 in the evening. Long hours and strict discipline for one so disorganised as myself but I do write two books a year and so it has to be this way.

Who are the authors or you love, and why?

I’m quite left field and so I don’t tend to read a lot of hugely famous and successful crime novelists with the exception of Ian Rankin, James Lee Burke and Jeffrey Deaver. I love Rebus, adore James Lee Burke’s southern American vibe and just admire the hell out out Deaver’s plotting. But my read favourites include Lee Jackson’s London Victorian novels which remind me so much of the weird world of my death obsessed ancestors, Anya Lipska’s East End Polish novels which just reflect that world so accurately and I love the Hull novels of David Mark.

Outside crime I am a huge fan of Stephen King and I am an absolute Charles Dickens obsessive. Crime or not I like tales that include vignettes of everyday life and the struggles that afflict so many people in our apparently tidy world of Ikea and the school run. Not all lives include those things including my own!

What’s the hardest lesson you ever had to learn about writing?

That I’m not Marcel Proust. When I first wrote my first book ‘Belshazzar’s Daughter’ I thought  it was literary fiction. It wasn’t and isn’t and that’s OK but it was a shock at first!

How do you deal with feedback?

I like to be edited as it is my belief that an author can become too close to his or her work to be objective. I’m lucky inasmuch as I have always been edited sensitively and well. Predictably I take praise well and criticism less so. Although in my defence I have to say that I take constructive criticism well.

What I don’t like is when someone gives one of my books one star on Amazon reviews and then fails to review the book. To my mind that is cowardly and shows lack of courage of conviction. I would never do that to anyone however much I didn’t like their book. Every book has been written in good faith and deserves a truthful review even if it is negative.

How have your own experiences shaped your writing?

With regard to the Hakim and Arnold books the experiences that have most affected my writing are growing up in Newham and being poor. I’ve lived in damp, cramped slum landlord owned accommodation I’ve been a poor, far too young parent, I’ve been threatened by violent neighbours and exploited by criminal landlords. I know what it is like to be hungry and, like Mumtaz Hakim, I have been through the experience of being at risk of losing everything.

On another level as a graduate in psychology  who has worked for social services and in mental health services I  have met and worked with a vast range of people down on their luck and in poor health. I’ve worked with sexually abused teenagers, mentally ill in patients and offenders, drug dealers, prostitutes, immigrants (including those traumatised by the war in the former Yugoslavia) and of course social workers, doctors and the police.

Give me some advice about writing…

Don’t wait for the ‘muse’ to strike before you put pen to paper. Writing, except in very rare cases, really is 90% perspiration and 10% inspiration. Get going!

What’s your best advice for an author looking to get into the marketplace…

Find your own niche and make it yours. Don’t try to be the next anyone, be yourself and write what you care about. If you care enough then that will transfer to the reader.

What’s next for you?

Next for me is building my Hakim and Arnold series and putting those parts of Newham that are not the Olympic stadia or Westfield Shopping Centre on the map. I’d like to see my headscafed detective on TV or film – it’s about time that happened. As an aside I did some tour guiding for one of the script writers on the new Newham based fire service drama The Smoke last year, and so we’re getting there.

Apart from that I’m working on a new Ikmen novel set in Turkey last year during the Gezi Park protests. That’s a challenge! And then of course in a couple of months I have to move.  As I said before, I’m hyperactive…

***

We’ll be reviewing An Act Of Kindness at Crime Thriller Fella next week — look out for that.

The Intel: Barbara Nadel

We love writers here — I may have mentioned that before. With Barbara Nadel’s second Hakim and Arnold mystery, An Act Of Kindness, due to be published in paperback, Barbara kindly tells us about her new series of East End thrillers, her writing and why variety really is the spice of life.

Barbara Nadel

Photo credit: Teri Varhol

As well as the Hakim And Arnold books — the first is A Private Business – Barbara has also written fifteen Inspector Ikmen novels, set in Turkey, and four books about undertaker Francis Hancock, set during the Blitz.

There’s a real sense of place in An Act Of Kindness. How would you describe the contemporary East End?

The contemporary East End I write about is a place that is changing fast. In a way this is in the tradition of the area which has always embraced new industries, innovation and immigration. However since the middle of the last decade and the coming of the Olympics, change has been very rapid and in some cases divisive. New cracks have appeared in the human make up of places like Newham which now run less along ethnic rather then income and social class lines.

You live in Lancashire now. How do you keep up with the extraordinary changes in the Upton Park area over the last few years?

I spend a lot of time in the East End and of course I have many contacts there. But it’s hard work and I’m moving much closer, to Essex, in June this year.

There’s a very real sense that the characters in the Hakim and Arnold books are struggling to keep their heads above water. How important is it to you that you address the grinding poverty in that part of London?

Addressing issues of poverty in my old home is very important to me. Newham has always been poor. When I was a child in the 1960s and 70s it was appallingly shabby and some people, including my own grandparents, lived in the kind of poverty that is more usually associated with Charles Dickens London.My own family had no proper heating, most people had outside toilets and we were all, often sick. But that was a long time and many advances in medicine and social care ago. Or is it?

One of the reasons I write the Hakim and Arnold books is to flag up the fact that for a lot of people in Newham very little has changed. In some cases things have got worse. And that offends me to the soul. If my stories can raise awareness of these issues as well as being good crime novels then I can feel I’ve done my job.

You’ve now three different series under your belt – the Inspector Ikmen, Francis Hancock, and Hakim and Arnold books. Do you thrive on the variety?

Yes I do thrive on variety. I’m a restless somewhat hyperactive person and I like to spread myself around. Crime is my first love but I have a fair few horror, magical and saga novels in my head (and some in an old drawer!) too. I’d also, at some time, like to take the Blue Badge London guide course as well. I’m told my unofficial tours of the East End are really great.

An Act Of KindnessTake us through a typical writing day for you?

I generally get up early (about 6.30am) and then, if I can I go to the gym for an hour. I arrive home pretty wrecked if I’m honest but I have a shower and start writing at about 8. Then it’s straight through until 1 with about half an hour for lunch. I’ll usually work until 5 or 6 in the evening. Long hours and strict discipline for one so disorganised as myself but I do write two books a year and so it has to be this way.

Who are the authors or you love, and why?

I’m quite left field and so I don’t tend to read a lot of hugely famous and successful crime novelists with the exception of Ian Rankin, James Lee Burke and Jeffrey Deaver. I love Rebus, adore James Lee Burke’s southern American vibe and just admire the hell out out Deaver’s plotting. But my read favourites include Lee Jackson’s London Victorian novels which remind me so much of the weird world of my death obsessed ancestors, Anya Lipska’s East End Polish novels which just reflect that world so accurately and I love the Hull novels of David Mark.

Outside crime I am a huge fan of Stephen King and I am an absolute Charles Dickens obsessive. Crime or not I like tales that include vignettes of everyday life and the struggles that afflict so many people in our apparently tidy world of Ikea and the school run. Not all lives include those things including my own!

What’s the hardest lesson you ever had to learn about writing?

That I’m not Marcel Proust. When I first wrote my first book ‘Belshazzar’s Daughter’ I thought  it was literary fiction. It wasn’t and isn’t and that’s OK but it was a shock at first!

How do you deal with feedback?

I like to be edited as it is my belief that an author can become too close to his or her work to be objective. I’m lucky inasmuch as I have always been edited sensitively and well. Predictably I take praise well and criticism less so. Although in my defence I have to say that I take constructive criticism well.

What I don’t like is when someone gives one of my books one star on Amazon reviews and then fails to review the book. To my mind that is cowardly and shows lack of courage of conviction. I would never do that to anyone however much I didn’t like their book. Every book has been written in good faith and deserves a truthful review even if it is negative.

How have your own experiences shaped your writing?

With regard to the Hakim and Arnold books the experiences that have most affected my writing are growing up in Newham and being poor. I’ve lived in damp, cramped slum landlord owned accommodation I’ve been a poor, far too young parent, I’ve been threatened by violent neighbours and exploited by criminal landlords. I know what it is like to be hungry and, like Mumtaz Hakim, I have been through the experience of being at risk of losing everything.

On another level as a graduate in psychology  who has worked for social services and in mental health services I  have met and worked with a vast range of people down on their luck and in poor health. I’ve worked with sexually abused teenagers, mentally ill in patients and offenders, drug dealers, prostitutes, immigrants (including those traumatised by the war in the former Yugoslavia) and of course social workers, doctors and the police.

Give me some advice about writing…

Don’t wait for the ‘muse’ to strike before you put pen to paper. Writing, except in very rare cases, really is 90% perspiration and 10% inspiration. Get going!

What’s your best advice for an author looking to get into the marketplace…

Find your own niche and make it yours. Don’t try to be the next anyone, be yourself and write what you care about. If you care enough then that will transfer to the reader.

What’s next for you?

Next for me is building my Hakim and Arnold series and putting those parts of Newham that are not the Olympic stadia or Westfield Shopping Centre on the map. I’d like to see my headscafed detective on TV or film – it’s about time that happened. As an aside I did some tour guiding for one of the script writers on the new Newham based fire service drama The Smoke last year, and so we’re getting there.

Apart from that I’m working on a new Ikmen novel set in Turkey last year during the Gezi Park protests. That’s a challenge! And then of course in a couple of months I have to move.  As I said before, I’m hyperactive…

***

We’ll be reviewing An Act Of Kindness at Crime Thriller Fella next week — look out for that.

Solo: The New Bond Cover Revealed

Random House has revealed the cover to the new Bond book. It looks, if I’m not mistaken, very much like this.

855074235

I like that. Kind of minimal, understated. Droplets, or bullet holes, and the merest hint of the legendary 007 designation. The book itself is set in 1969, so it marks a return to period Bond, which is where the character really belongs, I think.

The teaser blurb won’t take up much of your time: ‘1969. A veteran secret agent. A single mission. A licence to kill.’

Boyd has said part of the novel is set in Africa, where a number of his books have been set, and suggests that Bond goes rogue: “In my novel, events conspire to make Bond go off on a self-appointed mission of his own, unannounced and without any authorisation – and he’s fully prepared to take the consequences of his audacity.”

Shades of Licence To Kill, then. That movie was originally going to be called Licence Revoked, but the name was changed because it sounded too much like Bond had dropped points on his driving licence.

There’s a faint echo of Ian Fleming here, of course. The Bond creator was involved in the genesis of the Man From Uncle TV series. His only lasting contribution was the name of the hero, Napoleon Solo – surely as cool a name as has ever been invented.

Boyd’s participation is another prestigious notch in the bedpost of the Bond brand. Kingsley Amis, writing as Robert Markham, wrote the first post-Fleming novel, Colonel Sun, in 1968. John Gardner and Raymond Benson both wrote a series of novels which updated 007..

Since then, Sebastian Faulks – his effort was also set in the 1960s – and Jeffrey Deaver have both been given, heh, carte blanche, to reinterpret the iconic character. Boyd is the latest in what seems to be an ongoing project to align the character with critically-acclaimed authors who fancy a brief flirtation with arguably the most famous character of the 20th Century.

That’s the cover, then, but you’ll have to wait till September 26th for Solo to be published.