Category Archives: Books

The Bad Place Is Out Now!

Hi everyone, I’m thrilled to be able to tell you my new crime novel THE BAD PLACE is out now!

It’s the first in a new series about Sasha Dawson, a detective inspector with Essex Police. Sasha leads up a Major Investigation Team on the Essex coast. She’s an easy-going investigator and a harassed mum with a noisy family. I’m a little bit in love with Sasha – and I think you’ll fall for her too.

In Sasha’s first investigation she races against time to find a teenage girl who’s gone missing – and discover the connection to the notorious abductions that happened at The Bad Place…

 Here’s the blurb:


‘The newspapers called it The Bad Place. A remote farm out on the Thames estuary, where six children were held captive for two weeks. Only five came home.

That was twenty years ago. Now adults, they meet up annually to hold a candlelit vigil for their friend who died. The only rule is that no-one can talk about what happened the night they escaped. But at this year’s event, one of them witnesses a kidnapping. A young girl, Sammi, is bundled into a van in front of their eyes. 

Is history repeating itself? Is one of them responsible? Or is someone sending them a twisted message? DI Sasha Dawson, of Essex Police, is certain that the key to finding Sammi lies in finding out the truth about The Bad Place. But she also knows that with every second she spends trying to unlock the past, the clock ticks down for the missing girl…’


The Bad Place is out in hardback and as an ebook, with the paperback coming in March ’20. You can get your copy right now from Amazon and Kobo, and at your local bookshop.

I hope you enjoy it!

Advertisements

I’m Outside Your House.

9780751563252Hands up who’s ever found themselves staring into a stranger’s house late at night?

You’re strolling along the street, say, minding your own business – taking the dog for a walk, or on your way home – and your attention is caught by soft lamplight coming from inside a home. The curtains are open so you can see right inside, you see everything. You slow. The dog may helpfully stop to sniff something on the pavement, giving you the excuse to stop in front of the house.

Your eyes drink in all the details of someone else’s life. The flowers in a vase on the dining table, the photos on the mantelpiece of friends and family. The room is filled with knick-knacks accumulated over a lifetime. There may be a flickering fire and a comfortable armchair with a paperback laying open on the arm. You can’t help but wonder who lives there, and what it must be like to be them. You want to know how it feels to relax in that cosy armchair, feel its worn fabric beneath your fingertips, in front of that crackling fire.

If you’re unlucky, you might get busted. Someone will walk into the room, or appear suddenly behind the curtain, silhouetted in the light behind them, to glare at you for staring into their house. They’ll pull the curtains shut to hide their personal space from your prying eyes.

Have you ever done that, stood outside a stranger’s house staring in…

Oh. Only me, then.

It’s like that one time. I was house-hunting – this was years ago – and for some reason the only time I could view a particular property was late one winter’s night. I remember standing alone in a stranger’s bedroom, surrounded by all their personal things, their bedclothes folded neatly on the duvet, all their cosmetics neatly arranged on a dressing table, a full moon shining in the window, and I had a weird sense of dislocation. For a moment, I felt like I already lived there, that it was my room – in my home.

Oh dear. I’m not coming out of this very well, am I?

Point is, it’s those fleeting moments, those tantalising glimpses into the personal space of other people, that inspired my second novel, It Was Her.

I wanted to write about a cuckoo in the nest. Someone who slips into other people’s houses when they’re empty, like a modern-day Goldilocks. To take a bath, watch a bit of telly, eat the lovely food in the kitchen cupboards, curl up in bed. I wondered what would make them do such a thing? Perhaps they need to go into other people’s houses because their own happy home was once taken from them. And, of course, I wanted to discover how such a creepy obsession can lead to murder.

And the more I thought about it, the more it was obvious that it was exactly the kind of fucked-up investigation that my enigmatic detectives Ray Drake and Flick Crowley would get their teeth into. So that’s It Was Herin a nutshell.

But, anyway, if you ever see some guy staring in the front window of your house looking in, don’t worry, it’s probably just me taking the dog for a walk.

Except I don’t have a dog.

*It Was Her is available to buy here and at all good bookshops.*

 

 

 

 

 

The Intel: Laura Lam

authorphoto01Organised crime, a sinister cult, psychoactive drugs, shared dreaming. Ingredients guaranteed to give any rollercoaster futuristic thriller an extra kick.

In her first mind bending thriller for adults, Laura Lam takes the lid off a supposedly perfect city – and discovers decay and corruption.

False Hearts is set in a near future San Francisco and follows twin sisters who were born conjoined at the heart. They were raised by a cult which banned modern medicine, so had to escape in order to have the surgery to separate them. When one of the twins, Tila, is accused of murder and police suspect involvement with a powerful drug, her sister Taema makes a deal with the authorities to impersonate Tila in order to prove her innocence.

It’s a fascinating premise from a fascinating author. Laura was born in the late eighties and raised near San Francisco, California, by two former Haight-Ashbury hippies. After studying literature and creative writing at university, she relocated to Scotland.

In this terrific intel interview, she talks about her conjoined twin heroines, her counterculture upbringing — and the difference between writing YA and adult thrillers…

False Hearts has been described as Orphan Black meets Inception – tell us about the near future you have created in False Hearts…

It’s set roughly 100 years from now, though I don’t give a specific date. The United States has fractured as a result of tension from climate change reaching a tipping point: Pacifica (California, Oregon, Washington, Hawaii), Atlantica (East Coast), the South, and the Great Plains. San Francisco in the future is obsessed with perfection. Everything is transient—ordered from replicators only to be recycled.

People do not age thanks to excellent gene therapy and walk in flesh parlours where they can walk out with a new face. Crime is nearly gone, and anyone who is prone to being a criminal either becomes addicted to the dream drug Zeal, or is frozen in stasis. There’s still underground crime through the mob, called the Ratel. Poverty is almost gone, wars are pretty much a thing of the past. At first glance, it looks perfect, but everything has a price.

Who are Tila and Taema?

Taema and Tila are twins who were born conjoined at the chest with a shared heart. They were raised in a cult called Mana’s Hearth outside of San Francisco, where Muir Woods is now. This cult is cut off from modern society, frozen in 1969 technology. When their shared heart starts to fail, the twins know they need to escape, but the leader of the cult doesn’t want to let them go that easily.

False Hearts features drugs, conjoined twins, shared dreams and cults – what kind of research did you have to do for the book?

I read a lot of nonfiction and watched documentaries on cults and conjoined twins. I also have identical twin nephews (not conjoined), so I observed their relationship to each other. I researched a lot about neuroscience, specifically how memories are formed and how drugs affect the brain. I looked at concepts for futuristic architecture, food production, and tech. Research is one of my favourite aspects of writing, as I end up learning a little about a lot of things.

9781509818075Your own parents were hippies in San Francisco – did your upbringing influence your writing, do you think?

It did, and I see it more now that the book is finished and I’m looking back. My parents both went to art school and encouraged creativity in all forms. We went to the library all the time, spent a lot of time outdoors. They were pretty laidback parents; as long as I told them where I was going and what I was doing, they were usually fine with it. As a result, I didn’t break their trust. Once, my dad said if I ever wanted to try hallucinogenics, he’d get some for me and stay sober and we’d go into the woods and he’d made sure I had a nice trip. I never took him up on it—sort of wish I had now, as it would have been great research.

My brother and I were raised in a religion called Religious Science or Science of Mind, which is like a hippie gnostic branch of Christianity. I went to church camp every summer and winter in the redwoods of California, and it was right out of Mana’s Hearth. Religious Science is nothing like a cult, but I did borrow certain aspects for the cult in False Hearts.

False Hearts is your first books for adults after writing YA – did you approach the writing any differently?

I was able to swear and have more sex and violence on the page, maybe, but otherwise I don’t think my approach was particularly different. The main change is my main characters have more baggage and are more jaded than my teen characters usually are.

How did you start writing?

I’ve wanted to write as soon as I learned it was an actually a job people did. I started writing a terrible (TERRIBLE) book when I was fifteen about fairies and cat people, then sort of put it aside. In my undergraduate degree, I studied English and Creative Writing, so that forced me to actually finish things and put it out for critique. I seriously started writing for publication at the tail end of 2009, after I moved from California to Scotland, and just kept at it. I had my first break with Pantomime, my intersex magic circus book, through Angry Robot’s open door in 2012.

What’s the hardest lesson you ever had to learn about writing?

You can’t control anything but the words. You can’t control if your book sells or what the advance is. You can’t control a lot of aspects about the marketing. You can’t control if something sells in translation or gets a film option. You can’t control how many bookstores the book will get into, or how many people pick it up and buy it. Literally all you can do is keep your head down, write the best books you can, and always try to improve.

Who are the authors you admire, and why?

Robin Hobb is my favourite author—her prose, her world building, and the way her characters get under your skin is incredible. If you haven’t read her, start with Assassin’s Apprentice. She’s also just a really lovely person and very supportive of new writers. I also really admire Margaret Atwood (amazing prose in varied genres), Tana French (excellent crime), Neal Stephenson (for worldbuilding), Patrick Ness (so clever), and countless others.

Give me some advice about writing…

Put your butt in a chair and your hands on a keyboard, and figure out what works for you. No two writers will have the same process or approach writing the same way. Everyone will have their own career path. The most important thing is to work at it regularly—not necessarily every day, but regularly enough you’re producing and finishing stuff at a rate you’re happy with. Be really stubborn—that’s a good character trait in writing.

What’s next for you?

I’ve False Hearts out in June, and then the paperback re-releases of Pantomime and Shadowplay near the end of the year. The third book, Masquerade, will finally be out in March 2017, and then right after that I have my next thriller, Shattered Minds, out in June 2017. After that, who knows? I’m writing other things, but what happens with them is out of my hands!

***

False Hearts by Laura Lam is published by Pan Macmillan and is available now in hardback, priced at £12.99.

Guest Post: Siobhan MacDonald

twisted-river-canelo-crop-smallSome of the best crime fiction is about what happens when you step out of your door and into another person’s space, into their personal domain. Because, as we all know, in crime fiction other people are trouble.

And let’s face it, we expose ourselves to a lot of Stranger Danger, these days. Airbnb, house-sitting and holiday swaps — we’ve never had so many opportunities to step into the shoes of other people, to discover the dark secrets of other families.

Siobhan MacDonald’s novel Twisted River, published by Canelo, is about just that: what happens when two families swap lives.

Kate and Mannix O’Brian live in a lovely Limerick house they can barely afford. Their autistic son is being bullied and their daughter Izzy is desperately trying to protect him. When Kate spots a gorgeous New York flat on a home-exchange website, she is convinced her luck is about to change…

Hazel and Oscar Harvey and their two children live on Manhattan’s Upper West Side. Though they seem successful on the surface, Hazel’s mysterious bruises and Oscar’s secrets tell another story. With Hazel keen to revisit her native Limerick, the house swap seems almost too perfect.

When Oscar discovers the body of a woman in the boot of his hosts’ car, he realises this will be anything but a perfect break. And the body is just the beginning.

Irish writer Siobhan’s debut novel is inspired by her own experiences of holidays gone wrong. In this fascinating guest post, she talks about how entering someone else’s space can have dangerous consequences…

Siobhan_author_photoIsn’t it ironic that adults are so often at pains to warn children of the hazards of speaking to strangers and yet so many are heedless of their own advice?

“Never talk to strangers,” “Never get into a car with a stranger”, “Never take sweets from a stranger” – all warnings given to children. At the time of writing, ‘The Guardian’ is reporting multiple sightings of strangers stopping to offer lifts to children on their way to schools in Southwest London. Parents have been alerted to caution their children about this alarming activity.

However, that same advice doled out to children is often ignored by the adult community. There was a time when on-line dating was regarded as the preserve of the desperate and bewildered. Not so now – it’s commonplace with many happily using such services.

A number of years ago a journalist friend joined a dating site as a research exercise. Despite professing online to being unattached, most of the men she encountered were married. Hardly a crime, but it does go to show how people misrepresent themselves and their intentions online.

Sadly, in the past few years there have been a number of high profile incidents involving young women coming into contact with predatory strangers in nightclubs, only to meet their end after a single brief encounter. All the more tragic as nightclubs should be places where people can relax and have fun. Precisely too why such strangers prowl here, seeking out those who’ve let their guard down.

In one tragic case in Ireland, one such woman was killed in a hotel bedroom by a man -who unknown to her – was out on bail for violent offences. She’d met him in a nightclub earlier.

There is also the recent tragic story of the student nurse who became separated from her friends in a nightclub only to fall foul of the deadly intentions of a stranger who lured her to her death.

Stranger-danger is not confined to unusual situations. Indeed, malign intent often lurks behind a comfortable and familiar façade. Our guard drops and we relax when a situation seems familiar and unthreatening. Antennae are dulled and warning signs are missed.

A teacher friend recently recounted how to her shame, she blatantly ignored the advice she regularly metes out to the children in her care. As she went jogging in a familiar neighbourhood, an elderly man flagged her down on the pavement. He said his wife had recently died and he had a problem with his washing machine. He reckoned a sock was stuck in the filter and his hands were too large to release it. Would she take a look?

Although it was an unusual request, she felt sorry for the bereaved man and thought of the good Samaritan. As the door shut behind her, she felt a shudder of unease. The road had been quiet and no-one had seen her enter the house.

The elderly man had been right. There was indeed a sock stuck in the filter that she managed to free. As she handed it to him, he remarked how he’d been watching her from an upstairs window as she jogged down the road, and thought she looked like a person with small hands. Following that remark came noises from upstairs. “That’s my son getting up,” said the man. “Like the side of a house, he is. His hands would never do. I’ll call him down to meet you.”

Instantly, she regretted her decision and thought how foolish she’d been. Tripping over piles of laundry in the hallway, she made for the front-door, rushing past the man who she’d assumed was living alone.

Out on the street, she thought to how she’d scold any child in her class were they to do anything similar. It was a seemingly innocent request but it only struck her afterwards how differently things could have turned out.

Whether it’s the pub, the nightclub, online, the daily train commute, or even in what may be a familiar neighbourhood, we should heed the sage advice we give to children – strangers should be treated with caution.

***

Twisted River is published by Canelo in ebook, priced at £1.99.

 

The Two O’Clock Boy is coming…

If there’s one thing we’ve learned this week, ladies and gentlemen, it’s that change is inevitable.

Thing is, Crime Thriller Fella has got a few more things up his sleeve, but between you and me the long-term prognosis is, frankly, not very encouraging. He’s reviewed a few books, he’s done a few intel interviews, spoke about himself in the third person in a highly-affected way and filled his site with as much filler as is decent.

Yonks ago he mentioned he had a book deal, and then it all went silent — because there was work to do. But there’s a cover now, and it’s a cracker. You can see it in the wonderful gif below. The Two O’Clock Boy, the first of a series featuring North London coppers DI Ray Drake and DS Flick Crowley, is coming on November 17, 2016, published by Sphere Books.

smaller.gif

At some point, Crime Thriller Fella will cease to be. He will an ex-blogger. There will be a website markhillauthor.com – you can find a better shot of the cover and a synopsis of the book there already, should you want to do the business with the mouse – and you’ll find all the content here over there, and more. There’ll be a bit of a blogging aspect on occasion, yes, but you’ll also find news and events and covers and stuff about Drake and Crowley. You know, it’ll be a proper author site, sort of thing.

So I’m giving you fair warning. Crime Thriller Fella is not long for this world.

But, don’t worry, you’re in safe hands, you’ll have me instead.

My name is Mark Hill, and I’m an author. Pleased to meet you.

The Intel: Stephen Booth

9780316743297 (532x800)A sense of place is as important in crime novels as the characters, and the extraordinary landscape of the Peak District permeates every sentence of Stephen Booth’s hugely-popular Cooper and Fry series. In the latest, Secrets Of Death, Booth writes about a bizarre string of suicides in the area.

When Roger Farrell is found dead by his own hand in a car overlooking the beautiful Heeley Bank, he is the latest in a long line of people who have come to the Peak District to die. Although DI Ben Cooper is reluctant to use the phrase ‘suicide tourism’, he is aware that the rate of suicides in the area is sharply increasing. And a number of them, like Farrell, are in possession of a business card that simply says The Secrets Of Death.

Is somebody ‘managing’ these suicides? And how would Cooper even define this crime? Unfortunately, the one survivor is refusing to cooperate with the police, and leads are thin on the ground. The answer may lie with Cooper’s prickly former colleague Diane Fry, who had been about to arrest Roger Farrell before his death. Can the two of them find whoever is coordinating the suicides before more people die?

Secrets Of Death is the 16th in this incredibly popular series of crime novels. Booth is a generous and engaging interviewee, and in this fascinating intel he tells us about the evolution of his characters, about ‘suicide tourism’ and his beloved Peak District — and something of an expert on the subject, he reveals the secret personalities of goats…

Tell us about Ben Cooper and Diane Fry…

I conceived these two characters as young and junior police detectives, in a reaction to all the middle-aged alcoholic loners I was reading about in crime fiction back in the 1990s. Ben Cooper is the local boy who grew in the Peak District and knows everyone. He’s from a farming family and has a real love for the area and its way of life. Diane is the outsider, a city girl and completely out of her element in a rural setting. She’s rather a damaged person who’s developed a protective shell because of what’s happened to her in the past. Ben is a character everyone loves because he has such humanity and compassion. The relationship between the two characters started off quite badly in the first book, ‘Black Dog’, and has become more and more complex ever since.

How have the characters changed since the series began?

Ben Cooper was very young and immature in the early books. But he made the break from his family and moved away from the farm, and we’ve watched him steadily mature over the course of the series. He’s been through a major personal trauma, and he’s also been promoted a couple of times so he’s now a detective inspector with responsibilities for his team. Diane Fry seemed like a high flier in the beginning and was very ambitious. But she was distracted from her ambitions (largely by her unpredictable sister Angie), and one day she realised Cooper was leaving her behind. To some extent, they’ve gone separate ways, but they both remain very conflicted over their relationship.

Secrets of Death tackles the subject of ‘suicide tourism’ – what is that?

Many people have a favourite location they like to spend time in. One day, I was looking at some benches installed at a Peak District viewpoint overlooking a stunning landscape. Each one had a plaque commemorating a deceased person who was said to have loved that particular spot. It occurred to me that if you’d decided to take your own life and you were planning it carefully, as some people do, you might choose to do it at your favourite spot and spend the last moments of your life looking at that spectacular view. That’s how I came up with the concept of ‘suicide tourism’. Ben Cooper and his team from Edendale CID are faced with a spate of such suicides. They don’t know where the next dead body will turn up, though it’s bound to be at a tourist hotspot. It isn’t doing the tourism industry much good! And of course there’s the question of whether one of those deaths wasn’t actually a suicide at all…

9780751559989How much does the mysterious character of the Peak District permeate your books?

I think of the Peak District as beautiful but dangerous. It was the perfect setting for the type of book I wanted to create. I was interested in writing about a rural area, but giving my books a darker feel and dealing with serious contemporary subjects. I recall a line from a Sherlock Holmes story, in which Holmes tells Dr Watson: “There is more evil in the smiling and beautiful countryside than in the vilest alleys of London”. That pretty much sums up the idea. The Peak District is full of wonderfully atmospheric locations, along with thousands of years of history and all the legends and folklore that go with it.

I was intrigued by the two distinct geological halves of the Peak District, known as the White Peak and Dark Peak, which are very different in character. The white and dark seemed to me to symbolise good and evil, right there in the landscape. This is also one of the most visited national parks in the world because of the cities all around it, creating conflict between millions of visitors and the people who actually live and work there. Sometimes the landscape plays a physical role in my books. The hills can be very dangerous, and people sometimes disappear or meet an unexplained death. In one book, Dead and Buried, the backdrop is of raging moorland fires, which is almost like a vision of Hell.

What are your favourite locations for your novels?

There are so many fascinating and quirky places in the Peak District. One Last Breath is set around one of the my favourite locations, the small town of Castleton. It’s in limestone country and sits on top of thirteen miles of caverns, some of which are open to the public. Frankly, there’s nothing more frightening than a deep, narrow cave in complete darkness! And there are some very creepy stories about the Peak Cavern system. I also think of the ‘plague village’ of Eyam, which features in The Kill Call. It’s become a macabre tourist attraction, with people going to look at plaques listing the names of people who died there from an outbreak of bubonic plague. They even sell souvenir plastic rats in the visitor centre!

You breed pedigree dairy goats – – what kind of personalities do goats have?

Sadly, we no longer have the goats, though we did breed them for a number of years. I always found them fascinating animals. They’re very intelligent and independent-minded (unlike sheep), and they have a wicked sense of humour. They relate to people very well, and our goats always loved being taken to shows, where they had a wonderful time showing off to the public. Remarkably, they’re also more productive than cows, size for size, and their milk is much better for people who can’t take cows’ milk. I do miss not having them any more!

How did you start writing?

I started writing stories when I was very young – pretty much as soon as I could read, I think. I went on to produce my first novel when I was 12 years old. I’m sure it was quite a short novel, and it was about astronauts landing on a planet and meeting aliens (well, it was the 1960s!). But from the moment I finished it, I knew that was what I wanted to do when I grew up. Obviously, you can’t just leave school and become a novelist, so I figured out the way to earn a living by writing was to be a newspaper journalist. I did that for a long time, but I gave it up and I’ve made my living from writing crime novels for the past 16 years or so. So I suppose I’ve always been a writer.

What’s the hardest lesson you ever had to learn about writing?

Taking criticism is hard for a lot of writers. But I learned about it very early on. I’ve got an older brother, who read that first novel I wrote when I was 12 – and he was so disparaging about it that he remains the worst critic I’ve ever head! But I wasn’t discouraged by his harsh comments. And I think it was great experience for me to learn about taking criticism at such an early age. It doesn’t bother me now.

Who are the authors you admire, and why?

There are many of them. I was a huge fan of crime fiction as a reader before I started writing the Cooper & Fry series. One of my great heroes was Ruth Rendell, who was capable of subverting the conventions of the genre. She was constantly able to come up with something new and exciting right to the end. I thought Reginald Hill was a great writer too, and I also like John Harvey, Peter Robinson – in fact anything with a really strong, believable central character.

Give me some advice about writing…

Read a lot, keep writing – and never stop!

What’s next for you?

I’m starting work on a new Cooper & Fry novel, which will be the 17th in the series. But I don’t have a title yet!

***

Secrets Of Death is out right now, published by Sphere in hardback.