Author Archives: Crime Thriller Fella

About Crime Thriller Fella

I write. I write screenplays and novels -- and hopefully I'll have a bit of news on that front in due course. But when I’m not writing, I read. And when I’m not reading, I’m thinking about writing. And when I’m not – oh, you get the idea. The more I read, now stuff, old stuff, the more I learn about writing, and plot, and character. This is me thinking aloud about what I read, and maybe it'll give me a bit of space to occasionally show what I've learned. Tell me about your favourite crime thriller novels and movies and such like. Tell me about new stuff and old stuff. Crime movies, TV and movies. Because I want to immerse myself in it. I want to learn.

It Was Her is out now!

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My second thriller It Was Her is available in ebook, paperback as an audio download – and right now the ebook is just £1.99 in the UK and $2.70 in the US. The second in the acclaimed Drake and Crowley series, it’s the troubled tale of a young woman who just wants to go home…

‘Twenty years ago, Tatia was adopted into a well-off home where she seemed happy, settled. Then the youngest boy in the family dies in an accident – and she gets the blame.

Tatia is cast out, away from her remaining adopted siblings Joel and Poppy. Now she yearns for a home to call her own. So when she see families going on holiday, leaving their beautiful homes empty, there seems no harm in living their lives while they are gone.

But somehow, people keep ending up dead. DI Ray Drake and DS Flick Crowley race to find the thinnest of links between the victims. But Drake’s secret past is threatening to destroy everything.’

I’m hugely excited about this new book and I really want to know what you think, so if you’re planning on reading it – of course you are! – please do read a review on Amazon or Goodreads. It really does help to introduce the book to new readers and, of course, it helps me make the next one even better!

It Was Her is available from AmazoniTunesGoogle Play and Kobo.

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‘His First Lie’ Is Out Now!

My acclaimed crime debut Two O’Clock Boy has been relaunched today – March 1st – with a new title, His First Lie, and a startling new cover, courtesy of my lovely publishers Sphere. And for a short while the ebook is on sale at only 99p. If you’ve stumbled across this post in 2027, I’m afraid that offer has almost certainly expired.

I’m thrilled about this relaunch, and the bonus is that at the end of the ebook you’ll get a tantalising taste of the next book in the Drake series, called It Was Her, which comes out in May. The ebook for that is only £1.99 in the run-up to launch, so I strongly suggest that you take advantage of that offer, too.

Both covers were designed by Bekki Guyatt, and as you can see, the ‘twins’ manage to be both colourful and sinister…

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Crime Thriller Fella Bids You Goodbye…

I’ve got some good news and I’ve got some bad news.

The bad news is that Crime Thriller Fella is finally shutting up shop. It’s been a hell of a ride, I think you’ll agree. We’ve had some fun, we’ve made some poor jokes — but importantly we’ve discovered and learned a hell of a lot about crime fiction, and it’s —

Wait — where are you going? I’ve not given you the good news yet! Stick around for another minute, or so, jeez.

The good news is, I’ve got a brand new website called markhillauthor.com

There’ll still be interviews and book news, but it’ll include news about MY book, the Two O’Clock Boy, which is coming out in ebook next week and in paperback on April 6, 2017. There’ll be a blog — everything you can find here will be there, the whole lot has been moved over, lock stock  — and information about my coppers Drake and Crowley. Events, images, videos, offers, and an opportunity to sign up to my mailing list.

So, basically, it’s going to just like this place, only better.

So click on the link, online chums. That’s it, do it now. Now. Do it now. And come and say hello to markhillauthor.com

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The Intel: Wendy Walker

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Photo: Bill Miles

Crime novelists have long been fascinated by memory and amnesia, and in recent years gripping psychological thrillers in which heroes and heroines struggle to remember terrible crimes have become a staple of the bestseller lists.

Now, in her thriller All Is Not Forgotten, Wendy Walker has come up with a terrific high-concept idea that turns the genre completely on its head. Her debut novel has been getting rave reviews and the movie rights has already been snapped up by Hollywood star Reece Witherspoon.

In Wendy’s crime debut, Jenny’s parents will do anything to protect their 15-year-old daughter when she’s the victim of a brutal attack. Using experimental treatment, Jenny’s memories have been wiped so she is freed from trauma and able to move on with her life.

Except now Jenny lives with an unknown fear, a scar on her back that she cannot stop touching, and the knowledge of a violation that she cannot get justice for. Not to mention the fact that her father is obsessed with finding her attacker and her mother is in toxic denial.

With the help of a puppet-master psychiatrist – whose motives may not be benign – the only way Jenny can move on and identify her attacker is to go back into those memories. But even if it can be done, pulling at the threads of her suppressed experience threaten to destroy much more than the truth about her attack.

A novel about the painful choice of forgetting a destructive experience or seeking justice, Wendy came up with the idea when she read about an experimental PTSD treatment. She  carried out extensive research into the latest studies in memory science and worked with a practising therapist to present Jenny’s traumatic journey.

In this fascinating intel, Wendy – a generous and engaging interviewee – discusses the article that launched her thriller, trauma therapy, our fascination with memory – and the way all our experiences shape us. And she talks about the leap of faith that led her to write the novel…

Tell us about Jenny…

Jenny Kramer is a bright, athletic teenage girl whose idyllic life takes an abrupt turn after she is assaulted at a local high school party. With little time to decide, her parents choose to give her a course of drugs that erase her memory of the attack. She awakes with no memory of the factual events, but this does not mitigate the emotional impact of this horrific crime. As time passes, she is tormented by the emotional memory that lives inside of her, and the knowledge that she has been violated by someone who could very well live among them in their small town. Her journey drives the plot of the novel.

All Is Not Forgotten is a terrific high-concept idea – how did you come up with it?

I read an article back in 2010 in the New York Times about memory science and the treatment of trauma to reduce PTSD. I thought that this type of treatment, if applied to survivors of crime, could create some incredibly difficult decisions and moral dilemmas. When I started to write the novel years later, the research into memory had exploded and scientists were marching toward the possibility of being able to target and alter (or even erase) factual memory, not just the emotional component. I decided to take the concept to this end – to go to the time and place when this possibility had been realized – and explore what that would mean for the survivor of a horrific crime. I think it raises some incredibly interesting issues.

What is it about suppressed memories, about forgotten horrors, that so fascinates us as readers?

Most of us have had the experience of someone from our past remembering a shared event differently, and insisting that her or she is right and we are wrong. It is very unsettling to consider the possibility that our memories are not static – that they are constantly being altered and are therefore less reliable than we thought. So much of who we are is about our past experiences and those experiences are held by these memories that we now know may not be as true as we believed. It raises questions that go to our very identity as individuals.

Additionally, the thought of being able to target and erase a memory is a fascinating question to ponder. What memories would you choose to erase? What would be lost if you did? This issue, I believe, goes to our very humanity. Are we just a sum total of the factual memories we carry in our minds? And if we can erase what we don’t like, what would the world be like? These questions, for me, are deeply profound.

AINF jacket finishedYou worked with a therapist to present the journey that many victims of violence go through – what did you learn about the way we cope with terrible trauma?

Traditionally, trauma therapy has involved talking about the event in a controlled, safe setting with a therapist many, many times until the event loses its power. In a sense, this is not much different from the therapies that are happening now which are based on an understanding of memory science – how memories are recalled and “refilled.” Patients are now given sedatives and other drugs when they recall the event so that when the recalled memory is refilled, the emotional component has been altered to be less traumatic. This is not much different from traditional talk therapy, though some therapists believe it is far more effective.

For traumas resulting from crime, treatment is more complicated. Added to the emotional reaction that took place during the event, survivors of crime also confront the knowledge of being violated, the loss of their bodily integrity and safety, trust, faith in humanity – the list goes on. These factors arise from far more than a factual recollection of an event, and we know from real world events that they exist even in survivors who cannot remember the crime occurring. We also know that participating in the justice process can be very healing for these survivors and this is yet another important consideration when considering memory altering therapies.

Your debut novel has already been snapped by movie-makers and has received amazing reviews – do you feel a pressure now to deliver an even better second book?

Of course! I have been writing for many years, juggling a household of kids, my job as an attorney, and this crazy dream of becoming a successful writer. It has been a long journey and I feel grateful to have the opportunity to have my work out in the world, being read by so many people. I take nothing for granted and intend to honor this opportunity by working as hard as I can to create a really great book worthy of people’s time.

How did you start writing?

I had taken time off from being an attorney to be home with my children, but it was hard not to be doing anything that would further myself professionally. I had never written before or studied writing but I always loved a good story and felt I had some to tell. So I started writing here and there and everywhere (even in the back of my minivan!) any chance I got. Eventually, I had two novels published and was retained to edit for a world-renowned series. I went back to practicing law, but still kept writing, waiting and hoping to find my voice and an audience that wanted to hear it! Last year, my agent encouraged me to switch genres so I could finally write this story, which I had been sitting on for years. I took a huge leap of faith, scaled back my workload for three months, and wrote All Is Not Forgotten.

What’s the hardest lesson you ever had to learn about writing?

That sometimes to be successful you have to be willing to set aside something that embodies your time, your heart and soul, even your hopes and dreams, and try something new. You have to listen to the people you have decided to trust to guide you. It was not easy for me to switch genres and write a psychological thriller. I had to close the door on a project I had worked on for two years, during every free moment I could find between my kids and my legal work. But I listened to my agent, opened my computer again, and wrote with blind passion for ten weeks until the book was done. I will never forget this experience and what it taught me about trust, perseverance, and faith.

Who are the authors you admire, and why?

John Grisham because he revolutionized suspense novels and put the legal thriller permanently on the map. James Patterson for creating a new standard in the marketing of books with utter brilliance. And Dan Brown for his meticulous research and for creating a story that captivated the entire world. But, honestly, I have been meeting more and more writers, each with a different style, technique, philosophy and voice, and who stare down blank pages and somehow get beyond the self-doubt to keep going – they are my inspiration.

Give me some advice about writing…

First, keep writing. The more you write the better you will get. Don’t allow “writer’s block” to slow you down. Just get something on the page to move the plot along. You can always go back and revise. It’s so easy to get stuck, and there is no way around the self-doubt and anxiety that writers feel. The only way around is through. Second, take advice and be willing to make changes. Don’t get too attached to any character or any plot line. Sometimes other people just don’t get what’s in our heads and we have to be willing to accept that and move on. Finally, surround yourself with people you trust – to read for you and to represent you.

What’s next for you?

I am revising my second thriller about two teenage sisters who disappear one night under mysterious circumstances. Five years later, only one returns to tell the story of where they’ve been and to help the FBI and her sister. The novel is told in two narratives, one from the sister who has returned and one from the forensic psychologist who leads the search for the sister who did not make it out. It is incredibly fun because I have huge twist at the end and I can’t wait to see what readers think!

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All is Not Forgotten by Wendy Walker is out now in hardback, published by HQ at £12.99.

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The Intel: Laura Lam

authorphoto01Organised crime, a sinister cult, psychoactive drugs, shared dreaming. Ingredients guaranteed to give any rollercoaster futuristic thriller an extra kick.

In her first mind bending thriller for adults, Laura Lam takes the lid off a supposedly perfect city – and discovers decay and corruption.

False Hearts is set in a near future San Francisco and follows twin sisters who were born conjoined at the heart. They were raised by a cult which banned modern medicine, so had to escape in order to have the surgery to separate them. When one of the twins, Tila, is accused of murder and police suspect involvement with a powerful drug, her sister Taema makes a deal with the authorities to impersonate Tila in order to prove her innocence.

It’s a fascinating premise from a fascinating author. Laura was born in the late eighties and raised near San Francisco, California, by two former Haight-Ashbury hippies. After studying literature and creative writing at university, she relocated to Scotland.

In this terrific intel interview, she talks about her conjoined twin heroines, her counterculture upbringing — and the difference between writing YA and adult thrillers…

False Hearts has been described as Orphan Black meets Inception – tell us about the near future you have created in False Hearts…

It’s set roughly 100 years from now, though I don’t give a specific date. The United States has fractured as a result of tension from climate change reaching a tipping point: Pacifica (California, Oregon, Washington, Hawaii), Atlantica (East Coast), the South, and the Great Plains. San Francisco in the future is obsessed with perfection. Everything is transient—ordered from replicators only to be recycled.

People do not age thanks to excellent gene therapy and walk in flesh parlours where they can walk out with a new face. Crime is nearly gone, and anyone who is prone to being a criminal either becomes addicted to the dream drug Zeal, or is frozen in stasis. There’s still underground crime through the mob, called the Ratel. Poverty is almost gone, wars are pretty much a thing of the past. At first glance, it looks perfect, but everything has a price.

Who are Tila and Taema?

Taema and Tila are twins who were born conjoined at the chest with a shared heart. They were raised in a cult called Mana’s Hearth outside of San Francisco, where Muir Woods is now. This cult is cut off from modern society, frozen in 1969 technology. When their shared heart starts to fail, the twins know they need to escape, but the leader of the cult doesn’t want to let them go that easily.

False Hearts features drugs, conjoined twins, shared dreams and cults – what kind of research did you have to do for the book?

I read a lot of nonfiction and watched documentaries on cults and conjoined twins. I also have identical twin nephews (not conjoined), so I observed their relationship to each other. I researched a lot about neuroscience, specifically how memories are formed and how drugs affect the brain. I looked at concepts for futuristic architecture, food production, and tech. Research is one of my favourite aspects of writing, as I end up learning a little about a lot of things.

9781509818075Your own parents were hippies in San Francisco – did your upbringing influence your writing, do you think?

It did, and I see it more now that the book is finished and I’m looking back. My parents both went to art school and encouraged creativity in all forms. We went to the library all the time, spent a lot of time outdoors. They were pretty laidback parents; as long as I told them where I was going and what I was doing, they were usually fine with it. As a result, I didn’t break their trust. Once, my dad said if I ever wanted to try hallucinogenics, he’d get some for me and stay sober and we’d go into the woods and he’d made sure I had a nice trip. I never took him up on it—sort of wish I had now, as it would have been great research.

My brother and I were raised in a religion called Religious Science or Science of Mind, which is like a hippie gnostic branch of Christianity. I went to church camp every summer and winter in the redwoods of California, and it was right out of Mana’s Hearth. Religious Science is nothing like a cult, but I did borrow certain aspects for the cult in False Hearts.

False Hearts is your first books for adults after writing YA – did you approach the writing any differently?

I was able to swear and have more sex and violence on the page, maybe, but otherwise I don’t think my approach was particularly different. The main change is my main characters have more baggage and are more jaded than my teen characters usually are.

How did you start writing?

I’ve wanted to write as soon as I learned it was an actually a job people did. I started writing a terrible (TERRIBLE) book when I was fifteen about fairies and cat people, then sort of put it aside. In my undergraduate degree, I studied English and Creative Writing, so that forced me to actually finish things and put it out for critique. I seriously started writing for publication at the tail end of 2009, after I moved from California to Scotland, and just kept at it. I had my first break with Pantomime, my intersex magic circus book, through Angry Robot’s open door in 2012.

What’s the hardest lesson you ever had to learn about writing?

You can’t control anything but the words. You can’t control if your book sells or what the advance is. You can’t control a lot of aspects about the marketing. You can’t control if something sells in translation or gets a film option. You can’t control how many bookstores the book will get into, or how many people pick it up and buy it. Literally all you can do is keep your head down, write the best books you can, and always try to improve.

Who are the authors you admire, and why?

Robin Hobb is my favourite author—her prose, her world building, and the way her characters get under your skin is incredible. If you haven’t read her, start with Assassin’s Apprentice. She’s also just a really lovely person and very supportive of new writers. I also really admire Margaret Atwood (amazing prose in varied genres), Tana French (excellent crime), Neal Stephenson (for worldbuilding), Patrick Ness (so clever), and countless others.

Give me some advice about writing…

Put your butt in a chair and your hands on a keyboard, and figure out what works for you. No two writers will have the same process or approach writing the same way. Everyone will have their own career path. The most important thing is to work at it regularly—not necessarily every day, but regularly enough you’re producing and finishing stuff at a rate you’re happy with. Be really stubborn—that’s a good character trait in writing.

What’s next for you?

I’ve False Hearts out in June, and then the paperback re-releases of Pantomime and Shadowplay near the end of the year. The third book, Masquerade, will finally be out in March 2017, and then right after that I have my next thriller, Shattered Minds, out in June 2017. After that, who knows? I’m writing other things, but what happens with them is out of my hands!

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False Hearts by Laura Lam is published by Pan Macmillan and is available now in hardback, priced at £12.99.